Skip to content

Orrefors
Woman and Dove 'Ariel' Glass Vase

Orrefors Woman and Dove 'Ariel' Glass Vase 1
Orrefors Woman and Dove 'Ariel' Glass Vase 1
Swedish, circa 1958
Height: 6 3/8 inches (16 centimeters)

Orrefors "Ariel" 4-sided glass vase, blue and wine colored entrapped glass with woman and dove in profile, inscribed.

The Swedish firm, Orrefors Glassworks, founded in 1898, named one of their glassmaking techniques “Ariel” after the air spirit in Shakespeare's play “The Tempest.” Orrefors “Ariel” technique was developed in 1936 and was achieved by trapping air within the walls of the glass. “Ariel” glass is closely related to the “Graal” technique which was first introduced at Orrefors in 1916.

In “The Tempest,” the spirit Ariel is trapped in a “cloven pine” and is later freed and bound to serve the magician Prospero. The central layer of air evokes Ariel’s character as a sylph. The artists Gustav Bergkvist, Vicke Lindstrand and Edvin Öhrström created the technique for the firm.
Orrefors Woman and Dove 'Ariel' Glass Vase 2
Orrefors Woman and Dove 'Ariel' Glass Vase 2
Swedish, circa 1958
Height: 6 3/8 inches (16 centimeters)

Orrefors "Ariel" 4-sided glass vase, blue and wine colored entrapped glass with woman and dove in profile, inscribed.

The Swedish firm, Orrefors Glassworks, founded in 1898, named one of their glassmaking techniques “Ariel” after the air spirit in Shakespeare's play “The Tempest.” Orrefors “Ariel” technique was developed in 1936 and was achieved by trapping air within the walls of the glass. “Ariel” glass is closely related to the “Graal” technique which was first introduced at Orrefors in 1916.

In “The Tempest,” the spirit Ariel is trapped in a “cloven pine” and is later freed and bound to serve the magician Prospero. The central layer of air evokes Ariel’s character as a sylph. The artists Gustav Bergkvist, Vicke Lindstrand and Edvin Öhrström created the technique for the firm.




Comments