Tiffany Favrile Glass
Gold Iridescent Cabinet Vase Tiffany Favrile Glass
Gold Iridescent Vase with Intaglio Leaves Tiffany Favrile Glass
Early Flower Form Vase
Tiffany Favrile Glass
Squat Vase Tiffany Favrile Glass
Early Rosewater Sprinkler Tiffany Favrile Glass
Ruffled Gold Flower Form
Tiffany Favrile Glass
Decorated Cabinet Vase Tiffany Favrile Glass
Miniature Gold Iridescent Vase Tiffany Favrile Glass
Flower Form Vase
Gold Iridescent Cabinet Vase Tiffany Favrile Glass
Gold Iridescent Vase with Intaglio Leaves Tiffany Favrile Glass
Early Flower Form Vase
Tiffany Favrile Glass
Squat Vase Tiffany Favrile Glass
Early Rosewater Sprinkler Tiffany Favrile Glass
Ruffled Gold Flower Form
Tiffany Favrile Glass
Decorated Cabinet Vase Tiffany Favrile Glass
Miniature Gold Iridescent Vase Tiffany Favrile Glass
Flower Form Vase
Tiffany Favrile Glass
Early Cabinet Vase
Height: 3 ¾ inches
Diameter: 3 ¼ inches
This unusual early Tiffany Favrile Glass cabinet vase utilizes blown glass to recreate a technique used by Louis Comfort Tiffany in designs for candlesticks and Tiffany lamp bases produced at his nearby metal foundry: hot glass was blown through an elaborate openwork metal armature to produce a sculptural pillowed effect. In this experimental piece, silvery glass was applied to the surface of the bright green vase, forming Art Nouveau style strap work which seems to constrain the glass beneath.
Related example illustrated:
Martin Eidelberg, “Tiffany Favrile Glass and the Quest of Beauty,” (Lillian Nassau LLC, New York: 2007), p. 36 fig. 41.
Height: 3 ¾ inches
Diameter: 3 ¼ inches
This unusual early Tiffany Favrile Glass cabinet vase utilizes blown glass to recreate a technique used by Louis Comfort Tiffany in designs for candlesticks and Tiffany lamp bases produced at his nearby metal foundry: hot glass was blown through an elaborate openwork metal armature to produce a sculptural pillowed effect. In this experimental piece, silvery glass was applied to the surface of the bright green vase, forming Art Nouveau style strap work which seems to constrain the glass beneath.
Related example illustrated:
Martin Eidelberg, “Tiffany Favrile Glass and the Quest of Beauty,” (Lillian Nassau LLC, New York: 2007), p. 36 fig. 41.